so critical to her happiness

At length the night, so critical to her happiness, approached. The mind of Emily could not fail, on this occasion, to be extremely agitated. She had first exerted all her perspicacity to elude the vigilance of her attendant. This insolent and unfeeling tyrant, instead of any relentings, had only sought to make sport of her anxiety. Accordingly, in one instance she hid herself, and, suffering Emily to suppose that the coast was clear, met her at the end of the gallery, near the top of the staircase. “How do you do, my dear?” said she, with an insulting tone. “And so the little dear thought itself cunning enough to outwit me, did it? Oh, it was a sly little gipsy! Go, go back, love; troop!” Emily felt deeply the trick that was played upon her. She sighed, but disdained to return any answer to this low vulgarity. Being once more in her chamber, she sat down in a chair, and remained buried in reverie for more than two hours. After this she went to her drawers, and turned over, in a hurrying confused way, her linen and clothes, having in her mind the provision it would be necessary to make for her elopement. Her jailor officiously followed her from place to place, and observed what she did for the present in silence. It was now the hour of rest. “Good night, child,” said this saucy girl, in the act of retiring. “It is time to lock up. For the few next hours, the time is your own. Make the best use of it! Do’ee think ee can creep out at the key-hole, lovey? At eight o’clock you see me again. And then, and then,” added she, clapping her hands, “it is all over. The sun is not surer to rise, than you and your honest man to be made one.” There was something in the tone with which this slut uttered her farewell, that suggested the question to Emily, “What does she mean? Is it possible that she should know what has been planned for the few next hours?”— This was the first moment that suspicion had offered itself, and its continuance was short.